The belief that you must be born with the ability of perfect pitch puts some people off trying perfect pitch training. Despite this, there are a vast majority who do believe that perfect pitch can be learned, and these include most professors of music. The real issue of doubt is whether a person can deliberately attain the ability and, if so, how?
There are several common methods in use to try to teach the ability. They usually start with a message of optimism, they will tell you that perfect pitch training is certainly possible and you need to believe this to make progress. If you believe you will be able to learn the skill, you have a chance. You may not get anywhere with the training if you are overly doubtful. Evidence is needed to encourage training and the best outcome is that you make some progress, hear how perfect pitch is experienced and continue to improve. This is because the skill comes gradually. Training your ear with a strong positive attitude is the right path, but don’t think just believing and imagining is enough on its own, you will get out what you put in to perfect pitch training. For more info, click: perfect pitch software.
Day one of perfect pitch training is to train the ear to pick out the unique qualities of the notes. The “chroma”, “pitch colors” and “note timbres” are some names given to these qualities. You might find that the training fails to explain much about these “colors” and this can be a bit annoying. For example, you might be instructed to close your eyes and play a ‘C’ on your instrument. Listen closely and pay attention to the emotions and imagery or memories that it makes you feel. An extremely vague guideline like this is common. This type of approach will only work if, by coincidence, your ear tunes in to the quality of the note needed to discern it from others. You are more likely to just start daydreaming about any random thing.
The use of melodies is sometimes used to teach the memorization of a note. Within a melody, it is thought that the note can be remembered as the mind deliberately picks it out from the rest. You might want to try this method to remember the notes. The argument against this is that, in the context of a melody, the notes are not absolute entities. Are you actually learning absolute pitch if your are memorizing melodies in particular keys? More information can be found here: perfect pitch training.
A favorable option is to develop the acuity of your ear to listen to harmonics (known also as overtones). We all tend to listen to the fundamental frequency of a particular note. We don’t tend to tune in to the many multiples of the fundamental frequency. It is the make-up of these, which gave a tonal sound its timbre. The reported difference in quality, or pitch “color” is most likely to come from a perception of difference in the harmonic spectra of the different notes. The most definitive step forward in perfect pitch training is learning about how to listen to harmonics. For more info, click: what is perfect pitch?
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